Tuesday, February 21, 2012

Nocturnal at the Hospital

  Last night I stayed up wandering the corridors of the Indian Spinal Injuries Center in South Delhi. No one knew I was coming, and I hadn't made any arrangements with any of the staff regarding my research. As I sat quietly in the emergency waiting room, family members who had just brought their loved ones through the door would sit, and in between their hushed conversations, wonder who I was. What was I doing there. I spoke to no one.
   The canteen stayed open all night long, though the only time I felt comfortable bothering the attendant for a cup of coffee was when a doctor or some other hospital employee rapped on the glass window and woke him up. It was incredible how free I was to explore the hospital grounds at night. I found it easy to imagine myself as a runway patient, having escaped the confines of my hospital bed, exploring my prison like a ghost with nowhere in particular to go, drifting across the floor and rolling down the halls on a cushion of air. But I wasn't a patient. Everyone could see that. If my skin color were brown, and if my wheelchair were more rundown and rickety, perhaps a security guard would have approached me and asked for my patient ID tag.
   I was sitting in the waiting room when two patients were brought in about an hour apart from each other. It was almost 1 o'clock when the small four-door car drove up under the emergency entrance sign and screeched its horn. The phone at the help desk rang, and the desk attendant pressed a button that alerted the staff in the intensive care unit with a mechanical buzz. From the corner of the waiting room where I sat out of the way, I heard a stretcher being unfolded, the patient being transferred hurriedly from the car to the stretcher, and I saw a young woman being wheeled into the emergency room with her face tilted to the side in my direction, one arm raised above her head. She dropped the arm to her side and groaned slightly as a few hospital workers pushed her through the double doors and out of sight. A rickshaw pulled up a few minutes later outside, and what looked to be a doctor in his day clothes, wearing a hair net, strode through the door and into the intensive care unit.
   The second patient of the night arrived in a small van, with what seemed to be her mother, sister, and brother-in-law. The family walked the young woman through the door and directly into the ICU with the help of some hospital attendants. The young woman was wailing loudly, staggering as she walked. The taxi driver, the other staff workers, and even the help desk attendant himself stood and watched as the woman and her family hobbled down the corridor. I could not see what was going on, but I was more interested in the reactions of those in the waiting room than with what they saw. Gawking is a cultural norm in India. I suspect that no one would have thought twice if, despite my particular difference from everyone else in skin color and condition, I joined them in gazing at the patient who was making so much noise.
   Soon afterwards, the sister and mother sat down across from me in the waiting room and spoke frankly with one another. I could tell that they were going over the sequence of events that had led them to the hospital. I suspected that the visit to the emergency room was no big surprise to them, that it was simply a matter of time. Perhaps it was an attempted suicide, or the rupturing of a chronic condition that everyone had hoped would remain delayed. The family looked concerned, but not distraught. They were reasoning through what had happened, why it had happened, and how things could have turned out differently.
   All this made me think about how so much of our life demands explanation, and how the majority of our living consists of trying to explain what has happened to us. The businessman works hard to prove to himself that his education was worthwhile, the writer embraces the duality of life experience by creating beauty with words, and the maniac struggles to make sense of the visions, hallucinations, and dreams that have no place in the real world.
   The injured woman began screaming again from the ICU, and once again everyone flocked to the door. After a minute, however, the mother abandoned the gawkers and shuffled thoughtfully back to her seat, looking at the floor, gazing out the glass window into the night.  We both sat in silence, with our theories of what had happened, and our awareness that there would always be things in life left seemingly unresolved.
   The marble floor of the hospital's main lobby was full of men, women, and children sleeping on blankets and sheets. I suppose they would sleep there every night for days to weeks on end. At 6:30 in the morning, a security guard would walk through the lobby calling out morning greetings in a loud and gruff voice. The visitors would roll up their makeshift mattresses, tie them to their backpacks or suitcases, and retreat to the hospital beds in the general wards, where their loved ones were just beginning to wake up themselves.
   After a long night of observing, writing, and brainstorming plot developments and character development for my script, I took the elevator to the second floor to visit a young c5/c6 patient named Navdeep. We chatted briefly. I told him of my trip to Jharkhand and reflections on Valentine's day.  He showed me a picture of his fiancee, Ameen, waiting for him back in Punjab. His was an encouraging story of two families, optimistic about their children's future, agreeing to the challenges of encouraging a marriage between a disabled and able-bodied person.
   Content and very tired, I took an auto-rickshaw back home, ate my classic toasted peanut butter and jelly sandwich breakfast, and fell fast asleep at 9am.

Tuesday, January 31, 2012

Let's try this again!

   I have been having difficulty relating things in big chunks, so here is a small scale attempt at trying something more consistent. In my defense, I was sick again this last week with a sinus infection. May that be the end of my illnesses. Please forgive my terseness.
  • Last week I went to a nightclub. This was an educational experience for my film project research. I am totally serious. It went very well.
  • I ran into an old friend who lives in Delhi who is also working on some writing, and so we meet for coffee several times a week just to support each other's efforts.
  • My computer dictation software has long been the bane of my existence and productivity. I may have finally reconciled myself to it this afternoon. I discovered how to use my iPhone as a wireless microphone for the application… And now it works beautifully! Let us hope this helps make me more prolific.
  •  I have been visiting patients at the Indian Spinal Injuries Center almost twice a week, on Tuesdays and Thursdays. I invited about 10 to a house party Saturday night. One showed up with his 3 brothers. They are from Punjab, and we had whiskey together.
That is all for now! I will say more tomorrow. Cheers!
Oh yes. And a picture. 
This is me at a mall with my friend Riya Gupta, who I've known from 2009 when we filmed More Than Walking .

Tuesday, January 17, 2012

Feeling At Home

Good afternoon,
   I realize that I have been in India for almost two weeks now, and have not written a word about it. My apologies. They will not be enough, but I will try to offer a complementary summary of my activities.
   My first week in Delhi was spent getting over a head cold. Not too exciting. I have thoroughly enjoyed living with my brother, Nathan, and two other employees in his startup company. Of all my trips to India, I finally feel as though I am staying in Delhi. I'm living in a grounded community and not traveling from place to place every other week. I anticipate that this will only help my ability to focus on my screenplay research and writing. Although, to be honest, I have not done much writing since my arrival, I suspect that that is about to change rather rapidly, due mostly to the fact that I finally feel somewhat at home here. I have made some new friends, have reconnected with old ones, and even found a small group of fellow writers/poets with which to relate my progress on my script.
   Of course, I'm not simply working on a movie script. In my initial description of my project on this blog, I failed to mention that there is a subplot to my film that involves the main character, Samir, writing a children's book for his 9-year-old sister, Padinni. For the sake of the film, I am in fact writing & illustrating this short children's book. I hope to draw meaningful and deep parallels between the children's story and the main arc of the film story, as both deal with themes of adventure, sacrifice, forgiveness, and redemption. If you think this is too deep for a children's story, then go re-read Shel Silverstein's “The Giving Tree.” Or, since your on the Internet anyway, you can watch the animated version here (narrated by the author himself): http://www.youtube.com/watch?v=1TZCP6OqRlE.
I'm still writing the children's story, so I really don't want to discuss it in great detail here until I am finished.
   I'm meeting up with the director of a local children's dance institute here in Delhi today or tomorrow in order to find out more about children's dance opportunities in the city. Padinni is interested in dancing and so Samir is helping to pay for some extracurricular activities. This becomes a key point in the story when Samir falls in love with Amrita, a paralyzed dancer, at his work in the hospital. Amrita is able to pass on her former dancing expertise to the younger sister, who is inspired by Amrita despite her recent paralysis.
   The topic of alcoholism has been a little more difficult for me to solidify. There are questions as to whether or not an alcoholic father who was a drunk driver is the best scenario for this story (though for this first draft, I will stick with the father). A much more culturally relevant situation would be for two siblings to be in conflict, one having committed the accident, and the other having to struggle with the consequences/hide the fact from the parents/etc. contemporary discussions of drunk driving surround the foolish actions of young adult children of well-known businessmen and politicians much more so than those of disreputable family figures.  As one can imagine, it's not very easy to get access to individuals involved in drug driving accidents, whether perpetrators or victims. One thought is to research Indian films and books that deal with individual accounts. This is what I will try next.

Cheers!

-Jon